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Despite representing only one part of Trash 2's chain of effects, it actually contains twin stages of distortion and saturation (which, again, can be independently enabled).

Though you can run Filter 1 in isolation, the party doesn't really get started until you've enabled the Trash module. For a plug-in that sells itself as offering distortion and saturation, Trash clearly goes much further. The latter has a range of shapes that can run freely or sync to tempo. Large amounts of cut or boost can be applied to each band, and envelope and LFO modules provide modulation. However, if you decide you want the fourth band to band-pass, the fifth to low-pass and the second to provide a high shelf, no problem. You can choose a filter type from drop-down menus in each band, like low-pass, band-pass, high-pass, peak and shelf. Each band can be configured to a wide range of options, including "wrong" ones. But "EQ" barely scratches the surface of its capabilities. It looks like an EQ, with six fully moveable bands to create cuts and boosts where you like. Though there's no way to change their order, Trash 2 is flexible enough that you're unlikely to want to.Īs a case in point, let's have a look inside Filter 1.

Each comes with its own power LED, so the signal path is yours to construct. Trash 2 offers six independent modules through which your audio becomes progressively mangled-Filter 1, Trash, Filter 2, Convolve, Dynamics and Delay. Additionally, Trash 2 is now capable of operating within 64- as well as 32-bit hosts.

If you're an existing user, it's worth reading on anyway, as you'll find increased capability in every module. As its name suggests, this is the second incarnation of Trash, though I'll treat the plug-in as new to explain its signal flow and capabilities.